Movement as Culture: Dance in the Middle East, North Africa, and the DiasporaMain MenuMovement as CultureAn Introduction to the CourseMoving to the Gulf, Arabizing Bollywood: The Evolution of Bollywood Dance as it relates to Indian Labor Migration to the Arab GulfSplashBreakin' & Bolstering Cultural Norms: Breakdancing's Role in Contemporary Moroccoby Rose GelfandContemporary Copts and Dance in Egypt: Ethnicity, In/Visibility and Nationalismby Demiana IbrahimPalestinian Dabkeh and Nationalism: An Inquiry into the Israeli Claim to Indigenous Dance FormsAcknowledgementsWe worked closely with many library partners in developing this project and warmly thank them for their critical contributionsBiographiesProf. Meiver De la Cruz3773975702a12986e98f9c5f47cf866ad997d3f8Naiti Bhattf4d687a674a5002408f10e5819e1299f48441993Rose Gelfandceb56d07ee22e6e4cb6ce128db14425724c1ec43Demiana Ibrahim8ff5d38ae5f27bd0ec3653590ea03fb6425c5d1aBinita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Katalina R Petersonabf30c9024456720ba45f6039f90c501b11103a2
A Historical Analysis of the Colonial Response to Powerful Devadasi and Ouled Naïl Dancers During the First Half of the 20th century
1media/IMG_6683.jpg2019-12-10T20:28:02+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f2319splash111802020-02-03T18:13:28+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
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1media/3.jpg2019-12-08T21:59:01+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3fMovement as CultureProf. Meiver De la Cruz16An Introduction to the Courseplain111802020-01-22T23:00:07+00:00Prof. Meiver De la Cruz3773975702a12986e98f9c5f47cf866ad997d3f8
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1media/IMG_6683.jpgmedia/IMG_6683.jpg2019-10-10T20:55:49+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Introduction46image_header2020-02-03T18:14:10+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12019-12-08T21:37:10+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Understanding the Dancer21plain2020-02-03T18:06:35+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-21T21:43:25+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Characterizing the Movement28plain2020-02-03T18:07:59+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-21T22:44:20+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Visualizing the Dancers49plain2020-02-03T18:08:21+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-22T04:43:57+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762A Framework to View Dance8plain2020-02-03T18:08:45+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-22T04:49:13+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Characterizing Colonial Fear of Dancers10plain2020-02-03T18:09:59+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-22T05:07:08+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762The Colonial Response8plain2020-02-03T18:10:18+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f
12020-01-22T05:20:02+00:00Binita Pandyacb57cdb287e13fd28b80deb9c47234c7e4d5a762Conclusions and Works Cited12plain2020-02-03T18:10:52+00:00Leigh Anne Lieberman6d50006ee8ed7c3f79ca48a7780ef2c27a99cb3f